
JEWELS AND THE CITY: SOLITAIRE SUMMER HOLIDAY SPECIAL
When it comes to indulgences and serious jewellery shopping, New York, Paris, and London are hard to beat. Here’s a handy guide to some of the most...
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With every MARIE MAS piece, we want to bring you joy and happiness. Wear them and watch the jewels come to life, every stone changing colour and dancing to the rhythm of your body movements. A tribute to femininity, beauty and creation, celebrating every one of us.
"Her stroke of genius? Mix ancestral know-how with the most innovative techniques."
"There are very few people who master the art of jewellery, and even fewer who seek to revolutionise it. But Marie Mas is both. Driven by her technical prowess and undeniable creativity, she invents jewellery with two identities."
"The French designer Marie Mas will have brought the playful stones from her very first jewelry collection in the headline of the most famous concept stores."
"To appreciate Marie Mas’s creations fully, you need to see them being worn, as the designer’s dynamic jewels follow the wearer’s movement."
"Marie Mas? When expert craftsmanship meet innovation to create the most incredible jewelry pieces"
In every piece of jewelry the Creative Director Marie Cabirou explores different techniques. The new U & I collection features the subtle movement and a play of color and texture in a classic design with a twist.
In the iconic pieces the precious stones are set back to back and, as if by magic, an ingenious mechanism allows them to rotate and switch color in a balletic domino effect.
Challenging the standard notions of jewelry, each piece is designed with love and is brought to life using patented techniques, which are at the heart of the brand.
When it comes to indulgences and serious jewellery shopping, New York, Paris, and London are hard to beat. Here’s a handy guide to some of the most...
Read moreWearing a jewel should be a multisensory experience: the warmth of gold on the skin, the glint of gems, the clink of stacked bangles or the sway of...
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